This volume offers essays on the nature of God and the fundamental tasks of philosophy and theology written by internationally recognized thinkers in the ...

This essay explores how Schelling’s Philosophy of Art promotes a theory of the imagination (Einbildungskraft) correlative to that reason informing his Philosophy of Identity. Against the background of Kant’s and Fichte’s transcendental-philosophical notion of the imagination, it shows how Schelling conceives the absolute identity of the ideal and the real in terms of its expression in and asthe imagination. As a name for the self-constitution of absolute identity, the term “Einbildungskraft” denotes for Schelling not merely the formative activity of picturing, (...) but instead the generative dynamic of imprinting, and this as the singular operation of unification in the sense of genuinely making the disparate—the finite and the infinite—into one. How this theory involves a view of artistic symbols as instantiating pure unity is discussed with reference to Schelling’s theory of tragedy as well as Hegel’s criticism of this conception. (shrink)

In this revision of his doctoral dissertation at the Hebrew University of Jerusalem, Menahem Rosen aims to furnish the conception of dialectic which underlies Hegel’s logical-scientific thought with the contemporary intelligibility which he considers it to lack. Six topics define the chapters of this ambitious reconstruction of dialectic as “basically a logic of ambiguity and paradox” : identity, difference, and contradiction; the beginning of philosophy; its end; matter and nature; language; and dialectical explanation. Specifically, Rosen aims “to prune” the Wissenschaft (...) der Logik and so win “Hegel the dialectician” for the analysis of “human reality qua social, cultural and historical reality,” in distinction from “natural reality qua physical, chemical or biological reality,” by exhibiting the incompatibility of “Hegel the ‘spiritual monist’” with the dualism which actually informs his own method and prevents its totalization. Speculative logic may provide the guidelines of a revised theory of subjectivity, but it does not deliver a metaphysics of the absolute, either as the final unity of thinking and being or even as that of thinking itself. If it is initially unclear exactly what is meant by the declaration that as Hegel’s successors “we are in a privileged position to add to his work, without showing thereby any genuine wisdom”, the issue becomes somewhat more certain through the assurance that “in the face of principles, reality is always right, even at the price of a certain lack of coherence”. The justification of objective reality before the principles of thought is supposed to follow from the inevitable disruption of conceptual order by its ineradicable empirical element. (shrink)

In this revision of his doctoral dissertation at the Hebrew University of Jerusalem, Menahem Rosen aims to furnish the conception of dialectic which underlies Hegel’s logical-scientific thought with the contemporary intelligibility which he considers it to lack. Six topics define the chapters of this ambitious reconstruction of dialectic as “basically a logic of ambiguity and paradox” : identity, difference, and contradiction; the beginning of philosophy; its end; matter and nature; language; and dialectical explanation. Specifically, Rosen aims “to prune” the Wissenschaft (...) der Logik and so win “Hegel the dialectician” for the analysis of “human reality qua social, cultural and historical reality,” in distinction from “natural reality qua physical, chemical or biological reality,” by exhibiting the incompatibility of “Hegel the ‘spiritual monist’” with the dualism which actually informs his own method and prevents its totalization. Speculative logic may provide the guidelines of a revised theory of subjectivity, but it does not deliver a metaphysics of the absolute, either as the final unity of thinking and being or even as that of thinking itself. If it is initially unclear exactly what is meant by the declaration that as Hegel’s successors “we are in a privileged position to add to his work, without showing thereby any genuine wisdom”, the issue becomes somewhat more certain through the assurance that “in the face of principles, reality is always right, even at the price of a certain lack of coherence”. The justification of objective reality before the principles of thought is supposed to follow from the inevitable disruption of conceptual order by its ineradicable empirical element. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.4 (2000) 15-37 [Access article in PDF] Kant's Strange LightRomanticism, Periodicity, and the Catachresis of Genius Orrin N. C. Wang We might say that in deconstruction history is always posed as a question, at once urgent, ubiquitous, and insoluble, whereas ideological demystification conceives of its relation to history as an answer, a solution, to its critical hermeneutic. Certainly, this critical truism has special force in Romantic studies, (...) a field very much shaped by the complex relation between deconstruction and ideological critique over the last twenty-five years. But it could just as well be said that the full implications of this relation are especially clarified by the field of Romantic studies, not least because its object of study replays the tensions between these two modes of inquiry. Studying Romanticism means knowing it as a historical period but also knowing it as a figure that stands for something else: an aesthetic practice, a form of consciousness, a political aspiration, an ideology, the possibility of historicity itself. That as a figure Romanticism can be either transhistorical or tied to its historical identity makes its situation all the more complicated and compelling. Romanticism especially dramatizes the interlocking relation between period identity and trope, and the investment of literary studies in that dynamic. Romanticism is the period metaphor that both stabilizes and disrupts the very concept of period metaphors.1 The deconstruction and demystification of Romanticism is very much about the deconstruction and demystification of history, its existence as either question or calculation, trope or immanent being.But even as Romanticism asserts its special relation to history it must also confront an opposite trajectory, how its meaning is best understood through a constellation of other, larger historical identities, such as the Enlightenment and modernity itself. At present the potential disciplinary reorganization of Romanticism into the long eighteenth century is the most vivid academic expression of the question, where does the historical specificity of Romanticism reside, within itself or something larger, or both?Sorting this issue out is certainly a historical proposition, but as Romanticism's special relation to history reminds us, it is also, in Paul de Man's sense, rhetorical. Which is to say, Romanticism's relation to history is, paradoxically, not special-or, more precisely, it is a trope for something pervasive among all the period fields of literary studies, insofar as they remain particular and distinct from one another. This includes those historical entities that might subsume or entangle with Romanticism itself, that would enact historicity by absorbing a field so intent on both the enabling and worrying of historical thought. Approached tropologically, the relation of Romanticism to these larger historical periods is not simply about events and formations that constitute [End Page 15] the boundaries of historical identities. It is also about best identifying and clarifying the workings of figure that create the intelligence of such periodicity.Such labor, what de Man designated innocently enough by the term "reading," calls for its own crossing of a particular set of boundaries. A philosophical text, generated by the entanglement between Romanticism and the eighteenth-century Enlightenment, might contain sections exemplary in their recording of the interstice between trope and historical periodization. Immanuel Kant's short meditation on genius in the third Critique is, like the rest of his book, about the limits and possibilities of the judging subject; his words on genius are also specifically about the artistically creative subject. In resolving the contradictions between aesthetic judgment and creation, Kant transforms the solar light of human genius into the historical genius of the Enlightenment, which is very much the linguistic genius of Romanticism. This all occurs in a register not of consciousness or of historical truth, but of something else before either's constative realization.Kant's text is especially telling in its reflexive expression of this situation, so much so that it helps illuminate the sharp distinction between deconstruction and ideological demystification. For if deconstruction always poses history as the pressure of an insoluble, omnipresent question, it does so through figure, before truth. In contrast, ideological demystification, with... (shrink)

Walter Benn Michaels's The Shape of the Signifier: 1967 to the End of History makes the ostensive cul-de-sac of identity politics the dominant symptom of postmodernism per se. The Shape connects its argument to the controversy over intention and interpretation created by Steven Knapp and Walter Benn Michaels's twenty-year-old essay "Against Theory." This very connection, however, highlights the not-quite-acknowledged presence of a certain type of romanticism in both works that each also wants to attack. Misunderstanding Paul de Man's notion of (...) materiality, Michaels becomes the latest thinker hoping to free us from the inchoateness of romantic sensation, both as the indulgence of sensory experience and the cognitive sloppiness of nonmeaning as the sense of meaning. Far from a Fukuyama-inspired postmodern condition, Michaels's scenario actually adumbrates a basic problem between romanticism and modernism-as-modernity. (shrink)

Appearing in English for the first time, Schelling’s 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions.

This paper starts with one of Chalmers’ basic points: first-hand experience is an irreducible field of phenomena. I claim there is no ‘theoretical fix’ or ‘extra ingredient’ in nature that can possibly bridge this gap. Instead, the field of conscious phenomena requires a rigorous method and an explicit pragmatics for its exploration and analysis. My proposed approach, inspired by the style of inquiry of phenomenology, I have called neurophenomenology. It seeks articulations by mutual constraints between phenomena present in experience and (...) the correlative field of phenomena established by the cognitive sciences. It needs to expand into a widening research community in which the method is cultivated further. (shrink)

To assert that a 'clash of civilizations' follows inexorably from the different religious convictions at the foundations of Western Judeo-Christian and Arabic-Islamic cultures means to deny that a common political rationality can articulate genuinely universal, albeit culturally situated values. The eleven contributions to the present volume take up this controversy by challenging its premise that the heritage of classical Greek thought is exclusively part of Western political identity. By exploring the tradition of Platonism informing both Arabic-Islamic and Western political thought (...) and intellectual history in key stations in their history, the contributors show how Platonic political theory can still bear fruit in the present day, especially in the context of dialogue between cultures. (shrink)

With fascinating historical anecdotes and incisive scientific analysis, this important work combines ancient thought with modern theory to reveal a new way of viewing our universe that can expand our awareness, our lives, and may well point the way to a new science for the twenty-first century.

With precision and profundity born of 30 years of devoted study, John Boyle offers an essential introduction to St. Thomas Aquinas on Scripture, shedding helpful light on the goals, methods, and commitments that animate the Angelic Doctor's engagement with the sacred page. Because the genius of St. Thomas's approach to the Bible lies not so much in its novelty but rather in the fidelity and clarity with which he recapitulates the riches of the preceding interpretive Tradition, this initiation into St. (...) Thomas's vision of Scripture is itself an orientation to the Church's vision of Scripture, from the Fathers through and beyond the Middle Ages. St. Thomas's embeddedness within the Church's Tradition and his own historical context is integral to his approach to Scripture, yet it sets him at some distance from modern readers, for whom his interpretive vision may seem perplexing or even impenetrable. In this Primer, Boyle first provides an acclimation to this medieval context through a survey and explanation of pertinent technical terminology used by St. Thomas and characteristic of the scholastic theology of the time. With an eye to the medieval practice of considering Scripture according to the fourfold division of causes, Boyle builds on this initial foundation by exploring in turn St. Thomas's accounts of the end or use of Scripture (final cause), its divine and human authorship (efficient cause), its order and division (material cause), and its literary styles or genres (formal cause). Drawing on writings from across St. Thomas's corpus, but especially his work On the Commendation and Division of Sacred Scripture and the prologues to his biblical commentaries, Boyle masterfully elucidates both the hermeneutical principles and deep wisdom of the Angelic Doctor's approach to Scripture, imparting invaluable guidance not only for reading and understanding St. Thomas and other great masters of the Tradition, but also-and ultimately-for understanding Scripture in light of this Tradition and reading it with greater benefit and joy. (shrink)

This is an English translation of Schelling's Ideas for a Philosophy of Nature (first published in 1797 and revised in 1803), one of the most significant works in the German tradition of philosophy of nature and early nineteenth-century philosophy of science. It stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles, and argues instead for matter as an equilibrium of active forces that engage in dynamic polar opposition to one another. In the revisions of (...) 1803 Schelling incorporated this dialectical view into a neo-Platonic conception of an original unity divided upon itself. The text is of more than simply historical interest: its daring and original vision of nature, philosophy, and empirical science will prove absorbing reading for all philosophers concerned with post-Kantian German idealism, for scholars of German Romanticism, and for historians of science. (shrink)

I begin by criticizing an elaboration of an argument in this journal due to Hawley , who argued that, where Leibniz’s Principle of the Identity of Indiscernibles faces counterexamples, invoking relations to save PII fails. I argue that insufficient attention has been paid to a particular distinction. I proceed by demonstrating that in most putative counterexamples to PII , the so-called Discerning Defence trumps the Summing Defence of PII. The general kind of objects that do the discerning in all cases (...) form a category that has received little if any attention in metaphysics. This category of objects lies between indiscernibles and individuals and is called relationals: objects that can be discerned by means of relations only and not by properties. Remarkably, relationals turn out to populate the universe. (shrink)

"Not only one of the best but also the most comprehensive treatment of Stoicism written in this century." --Times Literary Supplement.

This landmark work provides a systematic introduction to systems of modal logic and stands as the first presentation of what have become central ideas in philosophy of language and metaphysics, from the "new theory of reference" and non-linguistic necessity and essentialism to "Kripke semantics.".

"The chief business of twentieth-century philosophy” is “to reckon with twentieth-century history," claimed R. G. Collingwood. In this remarkable collection of essays, Frank Ankersmit demonstrates the prescience of that remark and goes a long way toward meeting its challenge. Responding to the work of Hayden White, Arthur Danto, and Hans-Georg Gadamer, he examines such issues as the difference between historical representation and artistic expression, the status of metaphor in historical description, and the relation of postmodernism to historicism. Ankersmit's fluent grasp (...) of European thought and his ability to incorporate concepts from literary theory, art history, the philosophy of science, and political thought into his analyses assure that this collection will interest readers throughout the humanities. (shrink)

"A very good book indeed: there is scarcely an issue anyone has thought to raise about the topic which Childress fails to treat with sensitivity and good judgement....Future discussions of paternalism in health care will have to come to terms with the contentions of this book, which must be reckoned the best existing treatment of its subject."--Ethics. "A clear, scholarly and balanced analysis....This is a book I can recommend to physicians, ethicists, students of both fields, and to those most affected--the (...) patients themselves."--Edmund D. Pellegrino, John Carroll Professor of Medicine and Medical Humanities, Georgetown University Medical Center. (shrink)

Ethics for Enemies comprises three original philosophical essays on torture, terrorism, and war. F. M. Kamm deploys ethical theory in her challenging new treatments of these most controversial practical issues. First she considers the nature of torture and the various occasions on which it could occur, in order to determine why it might be wrong to torture a wrongdoer held captive, even if this were necessary to save his victims. In the second essay she considers what makes terrorism wrong--whether it (...) is the intention to harm civilians, rather than harm to them being 'collateral damage,' or something else--and whether terrorism is always wrong. The third essay discusses whether having a right reason, in the sense of a right intention, is necessary in order for a war to be just. Kamm then examines ways in which the harms of war can be proportional to the achievement of the just cause and other goods that war can bring about, so as to make the declaration of war permissible. (shrink)